Museum of Grand Gestures
by Danielle Claro
Employing every classic device in the Grand Gesture toolkit, this work is a stellar model for students of the form.
Career Change
by Lisa K. Buchanan
The mortician arrived last night, well before the viewing, to paint our little girl pretty.
Some Things You’ll Do When You Would Rather Be Happy
by Laurie Marshall
You’ll check the mailbox one last time in case the whole thing was a sick joke.
The Noon Executions
by Susan M. Gelles
They heard the shots, and the cheers, and every Saturday night they drank to celebrate the everlasting strength of the regime.
Silent Night
by Mary Liza Hartong
Winter was still holding onto spring like a child who refuses to leave her blanket at home.
Crystal Pigs
by Allison Brice
I took my breakup quietly, like a pitiful February rain with no lightning.
The Company of Shallow Holes
by Dino Parenti
One unremarkable March day, a man began puncturing random holes in his withered pasture with a post-hole digger.
There, I Said It
by Tori Malcangio
In the dark, from my twin bed, I listen to Romy and her latest visitor in the sheets.
Crashing
by Alle C. Hall
She was eight and at the beach and she felt like a movie star.
Remains
by Maureen Simons
They came back every year to lay flowers at the spot. Two little girls, hand in hand, walked soundlessly up Nora’s driveway.
It all began around a campfire…
Beautiful language
is meant to be heard as well as read, and in fact words were vocalized eons before they were ever committed to clay or parchment. Storytelling began around campfires. We seek prose and poetry that continue the tradition.
Contributor Spotlight:
Love and Hot Chicken
by Mary Liza Hartong
Open Contests
by Stephen Parrish, with the editors of The Lascaux Review