It’s the school’s loss, not Emma’s
Stephen King’s 20 rules for writers
The best of Writer Beware: 2022 in review
2023 entries into the public domain
Would you use these words?
The making of a six-figure author
Fiction

Nonfiction

Poetry

Cafe

Flash

Resources

Ecru

Ecru

by Oak Morse
We were all one beautiful blend / of mama’s love. My brother, / the color of ecru, the other one / sepia, and me, ebony.
Dear Madeleine

Dear Madeleine

by Stephanie Vanderslice
I can tell you this now. Both times I was pregnant, I worried. I doubted my ability to raise a girl.
The Company of Shallow Holes

The Company of Shallow Holes

by Dino Parenti
One unremarkable March day, a man began puncturing random holes in his withered pasture with a post-hole digger.
Love for Sale

Love for Sale

by Benjamin Aleshire
I travel around the world and strangers pay me to write poems for them on a typewriter in the street—that’s how I’ve made my living for the last eight years.
There, I Said It

There, I Said It

by Tori Malcangio
In the dark, from my twin bed, I listen to Romy and her latest visitor in the sheets.
Crashing

Crashing

by Alle C. Hall
She was eight and at the beach and she felt like a movie star.
Elegy for a Living Mother

Elegy for a Living Mother

by Renee Agatep
When she finally dies / she’ll meekly ask God why was it all / clattering highchairs, whiskers on stained sinks
Jenner Stones

Jenner Stones

by David Watts
At Jenner-by-the-Sea we scurry / over boulders to the place / where the breakers bear down
Abeyance

Abeyance

by Rebecca Foust
I made soup tonight, with cabbage, chard / and thyme picked outside our back door.
It all began around a campfire…

Beautiful language

is meant to be heard as well as read, and in fact words were vocalized eons before they were ever committed to clay or parchment. Storytelling began around campfires. We seek prose and poetry that continue the tradition.

Contributor Spotlight:

by Janice Phelps Williams

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Open Contests

Best Writing Contests of 2022, recommended by Reedsy

Lascaux Vol 9

by Stephen Parrish, with the editors of The Lascaux Review