NBCC finalists announced.
Fantasy author Ursula K. Le Guin has died.
A Year in Provence author Peter Mayle has died.
Macmillan responds to Trump’s attack on First Amendment.
Industry slams Trump’s abuse of power.
Pages Menu
Categories Menu

Mar 3, 2016 | 5 comments

The Polar Bear

by Jennifer Givhan

arctic winter

“Arctic Winter (detail),” digital art, by Cornelia Kopp, 2007. Licensed under Creative Commons.

I’m just another asshole sitting behind a desk writing about this—Facebook status update

What I’m asking is will watching The Discovery
Channel with my young black boy instead
of the news coverage of the riot funerals riot arrests
riot nothing changes riots be enough to keep him
from harm? We are on my bed crying for what we’ve done
to the polar bears, the male we’ve bonded with on-screen
whose search for seals on the melting ice has led him
to an island of walruses and he is desperate, it is late-
summer and he is starving and soon the freeze
will drive all life back into hiding, so he goes for it,
the dangerous hunt, the canine-sharp tusks
and armored hides for shields, the fused weapon
they create en masse, the whole island a system
for the elephant-large walruses who, in fear, huddle
together, who, in fear, fight back. This is not an analogy.
The polar bear is hungry, but the walruses fight back.
A mother pushes her pup into the icy water
and spears the hunter through the legs, the gut,
his blood clotting his fur as he curls into the ice
only feet away from the fray—where the walruses
have gathered again, sensing the threat has passed.
My boy’s holding his stuffed animal, the white body
of the bear he loves, who will die tonight (who
has already died) and my boy asks me if this is real.
What I’m asking is how long will we stay walruses,
he and I, though I know this is not an analogy.

“The Polar Bear” won the 2015 Lascaux Prize in Poetry. It was first published in Rattle.

Jennifer Givhan is an NEA fellow in poetry and the winner of the 2015 Pleiades Editors’ Prize for her poetry collection Landscape With Headless Mama, forthcoming in 2016. A Mexican-American poet who grew up in the Imperial Valley, she was a PEN/Rosenthal Emerging Voices Fellow, The Pinch Poetry Prize winner, and the DASH Literary Journal Poetry Prize winner. She earned her MFA from Warren Wilson College. Her work has appeared in Best New Poets 2013, AGNI, Southern Humanities Review, Prairie Schooner, Indiana Review, Rattle, The Collagist, and The Columbia Review. She is assistant editor at Tinderbox Poetry Journal, and she teaches composition and poetry at Western New Mexico University and The Rooster Moans Poetry Coop.


  1. Brilliant for it’s scope and intimacy. Beautiful for its music.

  2. The Polar Bear.

    In my opinion this is at best “a short story” and very incorrectly described as a poem.

  3. The line endings are arbitary and in my book this makes it less of a poem more prose!

  4. I suspect the line breaks are due to my mobile app., I am going to try and find a PDF copy. I love this poem. And the ending is so powerful. I bet the line breaks are different in a true view PDF.

  5. The next time I subject myself to a sledgehammer of a poem like this, and all I can do is cavil at theline breaks, then please sell me for scrap.

Post a Reply

Your email address will not be published. Required fields are marked *

Sign up for our irregular newsletter and be informed of upcoming contests. You can opt out anytime with the click of a button.

Contests are presently open in speculative short fiction (at Easy Street), collected poetry, and flash fiction. Visit the Contests Page for information.



Lascaux 250 Lascaux Review Easy Street