Trump Admin revokes Wole Soyinka’s visa
László Krasznahorkai wins the Nobel Prize in Literature
Arthur Sze is the new U.S. Poet Laureate
What writers need to know about copyright
Is the tide shifting to indie presses?
Florida schools pull books under pressure
If I Ever Have a Daughter

If I Ever Have a Daughter

by Chris Atkin
If I ever have a daughter I hope she knows / that even though her father’s bones / are made of mountains, in these hands / she will find nothing but softness
Wondrous

Wondrous

by Sarah Freligh
My mother is crying again, and we’re laughing / at her because we know nothing of loss and its sad math
I Fail My Step-Daughter

I Fail My Step-Daughter

by Cecil Morris
I was her second-chance, replacement dad, / a do-over daddy meant to keep her safe
Knotworks

Knotworks

by Terry Trowbridge
The shortest unit of time in my life / was the space between undoing one shoelace / and about to undo the other.
Two Poems

Two Poems

by Sheree La Puma
Give me silence & sadness, a taste of citrus swallowed after a shot, something bitter like daughters who have parted ways.
Confession

Confession

by Hayden Saunier
I fell in love with a field of rye. / It happened this spring for the first time and I am not young.
The Night Yard

The Night Yard

by Ellen Romano
My mother has asked me if I see / wild animals around town. / She moves in and out of lucidity
Toward the End of March

Toward the End of March

by Justin Hunt
Pollen dusts our yard. The oaks, heavy / with seed, rake the past from wind, / and an old friend’s voice comes to me
Two-Man Saw

Two-Man Saw

by B. Fulton Jennes
Dutch elm disease took its toll / on the once-lush sentinel by our pond— / a titan I often climbed to the very top
It all began around a campfire…

Beautiful language

is meant to be heard as well as read, and in fact words were vocalized eons before they were ever committed to clay or parchment. Storytelling began around campfires. We seek prose and poetry that continue the tradition.

Contributor Spotlight:

You Are Leaving the American Sector

by Rebecca Foust

How to submit to
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or enter
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Open Contests

by Stephen Parrish, with the editors of The Lascaux Review