Authors protest Amazon’s e-book return policy
A new option for copyright disputes
Freelance is no longer free
That’s one way to research a murder mystery
Recent Fiction

Wandering Boy, by Jim Gish—We did not have to turn off the radio. My father told the mechanics, Ron and Pete, that it had a burned out tube. They just nodded. They knew better.

Recent Poetry

If it Wasn’t for You, by Bill Ratner—I’d be a baby without skin, a parrot / without a little soap-shaped food cake, / a truck driver out of a job.

Recent CNF

Don’t Let Them See You, by Anonymous—I will soon be pitching a debut novel, and I want to know how much of an issue my age will be to agents and publishers.

New in the Bistro (our blog)

There’s No Such Thing as Writer’s Block, by Wendy Russ—Writer’s block. It’s that phrase we speak tremulously to explain why we aren’t writing or why what we are writing sounds like a page that fell out of a 13-year-old’s diary. It’s a concept that wraps up, in two words, every horrible insecurity we have as writers.

Adultery

Adultery

by Janice D. Soderling
One day he was cock-of-the-walk, full of jokes and juice, strumming his guitar, waxing the big fins on his red Chevy, knowing another woman in the biblical sense.
Günther’s Tree

Günther’s Tree

by Lois P. Jones
Because you are strong. / Because your branches span out ahead of you. / And in so many years, age has allowed breadth to match height.
Closer

Closer

by Sarah Hina
Brake lights on a highway. Not her favorite sight. It must be an accident. Or road construction. Either way, it wasn’t right. Not when they were so close to home.
It all began around a campfire…

Beautiful language

is meant to be heard as well as read, and in fact words were vocalized eons before they were ever committed to clay or parchment. Storytelling began around campfires. We seek prose and poetry that continue the tradition.

Contributor Spotlight:

by Judith Waller Carroll

How to submit to
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or enter
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Open Contests

Best Writing Contests of 2022, recommended by Reedsy

Lascaux Vol 9

by Stephen Parrish, with the editors of The Lascaux Review