It’s the school’s loss, not Emma’s
Stephen King’s 20 rules for writers
The best of Writer Beware: 2022 in review
2023 entries into the public domain
Would you use these words?
The making of a six-figure author
Fiction

Nonfiction

Poetry

Cafe

Flash

Resources

Grace

Grace

by Joseph Fasano
You’ve seen them in the deep sleep / of the season: figures sitting in a garden, / light on their faces as you enter.
Living With Lies

Living With Lies

by Gita M. Smith
Whenever someone asks me, “So, what do you do?” I like to say, “I am a crash test dummy tech for the National Highway Traffic Safety folks.”
Clemency

Clemency

by Cady Vishniac
A dead ringer for Josey. She sneezes as she walks into the pharmacy, and I look up from the newspaper I’m not supposed to be reading.
America

America

by Katherine Riegel
I never dreamt of you but of your parts: / my flatland home, the mountains my mother loved, / beach where I could look out and see only not-you.
Yellow Paper

Yellow Paper

by Amanda Kabak
Now that Kate was safely out of the way—silenced permanently in a corner plot with a view of the freeway—the pedigreed vultures swooped in.
Turbulence

Turbulence

by Maggie Smith
The sky shakes us / like a shoe with a stone inside. / Even the smallest stone hurts.
If I Have a Daughter

If I Have a Daughter

by April Ford
If I could have a daughter, / it would be my life goal to make sure she never—not in a million years ever— / confused one kind of touch for another.
Improv

Improv

by Roy White
Let’s make a wedding photo, you and I. / I’m blind and you weren’t there, but between us / we can do this.
It all began around a campfire…

Beautiful language

is meant to be heard as well as read, and in fact words were vocalized eons before they were ever committed to clay or parchment. Storytelling began around campfires. We seek prose and poetry that continue the tradition.

Contributor Spotlight:

by Janice Phelps Williams

How to submit to
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Open Contests

Best Writing Contests of 2022, recommended by Reedsy

Lascaux Vol 9

by Stephen Parrish, with the editors of The Lascaux Review